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The Guardian Angel of Not Feeling

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As where a wind blows.1
I can teach you that.
The form of despair we call "the world."
A theft, yes, but gossipy, full of fear.
In which the "I" is seen merely as a specimen,
incomplete as such, overendowed,
maneuvering to rid itself of biological
precipitates - hypotheses, humilities,
propensities....
Do you wish to come with me?
You know how in a landscape you see distances?
We can blur that. We can dissolve it
altogether. You know the previous age?
How it lacks shape until it's cut away by 
love? We gust that lingering, moody, raw affection
out, we peck and fret until it's 
gone, the flimsy courage, the leaky luggage
in which you carry round 
your drafty dreams - of form, of hinged
awareness, all interlocking-up - dream on -
the chain is rattling that you've cast,
yet it is made of air, of less, look, here
it mirrors, here it curves
in space, here it resembles - quick - for just a 
nanosecond - happiness - incorruptible whole - 
how soothing, so real, a ledge above the 
waterfall - You know, in music, 
how you hear - you strain to hear -
the isolation of the meager, the you alone,
an interim bristling with arguments, illusions -
they are lesions, they are spreading across a naked
skin, a rolling, planetary stretch of human skin,
not like the feeling of an unseen presence,
not like - oh wave demolishing,
we're waiting for the phone to ring,
we're busy - no? - we cling - the versions
of the desolation we clock-out in lists, in 
miles - The wave, the wave appears 
but then withdraws, it ruffles at its rim
as whereabouts, moonlight thrashes in its 
curl, clatters as inventory in its curl,
the wave - wake up - the wave I'll give you
tiny bits of if you'll still - 
Postpone the honeycombing day,
let the sandbar rise up beneath us here,
the bed will do,
the splattering of texture, shade - brocaded shirtsleeve on
the chair - the corridor of mysteries
you call your hair - the masonry of 
your delays - pen, paper, ink - my friend, 
look at the ink, dip fingers through its open neck,
bring hand to lip - there - do it again, again,
blazon the mouth, rub in, exaggerate -  
the little halo forms, around the teeth, 
the mirror on that wall shows you the thing,
furious, votive -
oh look, the tiny heart
mouthing and mouthing its crisp inaudible black zeros out.

1 Wallace Stevens' Snow Man?
... the sound of the land
Full of the same wind 
That is blowing in the same bare place

For the listener, who listens in the snow...
Created by guccipiggy
Last modified 2005-03-17 09:04 PM

Time and tide

Posted by guccipiggy at 2005-02-27 08:12 PM
The entire poem seems to be about setting up different kinds of "breakwaters" against the surging tides of time (bed as sandbar) and the unbounded complexity of experience (looking for the "meager" in music, wanting to dissolve distance (time?) into a comfortable blur). Whereas the first guardian angel creates a "little utopia" for herself defined by solitude and order, this one creates an "interim" where the influences of the past and (especially) the future are not too strongly felt. The image of the halo gained at the end is particularly striking: crisp and black, but also zero and inaudible.

 

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